![]() Pinpointing evil: Nazi family photographs, remediated / Brad Prager -įritz Moeller's Harlan: Im Schatten von Jud Suss as family drama / David Bathrick. Laying claim to painful truths in survivor- and perpetrator-family memoirs / Irene Kacandes. Identifying with the victims in the land of the perpetrators: Iris Hanika's Das Eigentliche and Kevin Vennemann's Nahe Jedenew / Sven Kramer. Descendant narratives of survival and perpetration. The power of paratext: Jewish authorship and testimonial authority in Benjamin Stein's Die Leinwand / Katja Garloff. ![]() Writing before the Shoah, and reading after: Charlotte Salomon's Life? or theater? and its reception / Liliane Weissberg. Disentangling "German," "Jewish," and "Holocaust" memory -Įpistemology of the hyphen: German-Jewish-Holocaust studies / Leslie Morris. "Aber das ist Alles Vergangenheitsbewaltigung": German Studies' "Holocaust Bubble" and its literary aftermath / William Collins Donahue. Teaching Holocaust memories as part of "Germanistik" / Stephan Braese. ![]() The Holocaust in German Studies in the North American and the German contexts. The voice of the perpetrator, the voices of the survivors / Erin McGlothlin.
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